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She has participated as a costume designer and actress in various shows and performances, and has lectured at the Little University on recyclable materials for clothing making. Her mixed-media work consists of handcrafted techniques using broken objects, toys, dolls, plastic and paper waste, threads, textiles and wires, combined with music, text, and video.

She restructures and composes with respect for the environment. She enjoys combining objects and fabrics, giving them new life and transforming them into art.

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His work stems from a need for expression and an innate curiosity that has led him to dismantle all kinds of objects in order to understand their inner workings. This inquisitiveness drove him to create his first Interpretations: sculptures born from dismantled machine parts, reassembled according to aesthetic criteria, always keeping the original pieces and using authentic screws and springs to join them.

Currently, his work focuses on the assemblage of recycled and everyday elements—such as butane cylinders, golf clubs or frying pans—transforming them into semi-realistic sculptures. Wood, clay and assemblage remain his main artistic languages, through which he explores new creative paths based on reuse and transformation.

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Worldwide known for using street trash to create impressive animal sculptures warning people about pollution and endangered species, his works are considered Trash-Art. The Big Trash Animals, large animal sculptures made from plastic waste, have spread across the world since 2012. Today, he also works on smaller formats with the Small Trash Animals. These serve as a reminder of the overproduction and overconsumption of goods, which leads to the continuous production of garbage and, consequently, the destruction of the planet. Bordalo II’s main goal is to raise awareness about how much waste is produced by humans and how we can stop causing so much harm to the Earth.

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His sculptures occupy space with a poetic and material presence, blending memory, transformation, and ecological awareness. Through the reuse of discarded objects, Moraga invites us to reflect on the beauty of imperfection and the value of things that seem to have reached the end of their cycle.

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Since his arrival in Barcelona in 1988, Forster has been a key figure in the city’s alternative scene, actively participating in polypoetry projects, installations, plastic arts and experimental music. He currently lives and works in Hostalric, La Selva, with innovative projects such as #Van Imagination, #Hostalric De ARTE, #The Nose and #Ni Manantial Ni Doors, where his creativity continues to push boundaries.

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“My works are an examination of the modern human being, their behaviors and actions, and the problems they create. I use waste with the aim of pointing out the concerning proliferation of our detachment from spiritual values, which generates environmental and social problems.”

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Elias Abraham has always loved percussion. That’s why, 10 years ago, when the opportunity arose, he decided to create his own version of a Hang, a musical instrument invented by Felix Rohner and Sabina Schärer in Switzerland, which was inspired by Caribbean steeldrums and at that time cost over 2000€.

He manufactures and sells TAMdrums – the name he has given to his instruments – created from recycling old gas cylinders that he collects from scrap yards.

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